Apple Home Page Tabs History — June 2015 Edition

Last fall, I posted A Brief History of Apple Home Page Tabs which showed a visual history of each change in the tabs on the apple.com home page since they were introduced in January 2001. That post also called out some of the major changes and common themes in both interface style and products over the years.

On June 8th, 2015, about 9 months after the previous change, the Apple home page tabs have changed again.

Image of Apple Home Page Tabs

Click for the full-sized image.

With the introduction of the Apple Music service, the iPod and iTunes tabs have been replaced with a single Music tab.

The Apple home page has had iTunes and iPod in a tab for almost twelve years.  The iTunes tab first appeared in September 2003 with iPod being added for a combined iPod + iTunes tab the very next month in October 2003.

They shared a tab together for close to a decade before being broken out into separate tabs in March 2010, where they have remained until being combined into a single Music tab last week.

Music tab on the Apple home page is not entirely new, nor is the term Apple Music.  A Music tab first appeared at the introduction of the iTunes Music Store on April 28, 2003.*  In addition, posters commemorating the launch listed the site address AppleMusic.com.

That tab lasted until September 2003, when it changed to an iTunes tab.  Time will tell if the Music tab and the Apple Music brand hang in there longer this time around. •

Poster of Gibson ES-335 electric guitar with AppleMusic.com in upper right corner of poster.

Poster of the original AppleMusic.com from 2003.

I used the Internet Wayback Machine to help track these changes down. If I’ve missed any changes, please feel free to let me know!

*The original post listed the addition of the original Music tab in May 2003, which is the earliest archive I found in the Internet Wayback Machine.  However, this change almost certainly went live on the day the iTunes Music Store was introduced on April 28th, 2003. 

Where I’ll be at WWDC 2015

I’ll be doing a few things next week at WWDC and wanted to pass along my schedule. Hope to see you at one or more of these happenings!

Monday: NeXTEVNT Fundraiser for the Cartoon Art Museum

NeXTEVNT Logo
I’ll be doing a short set of James Dempsey and the Breakpoints songs at this fundraising event at the Cartoon Art Museum.

This event has been a lot of fun each year, always with great speakers and plenty of time to meet and mingle with very interesting folks. If you are a fan of comics, cartoons, or animation — or have an interest in where the technology we use every day comes from — this is a great event for a great cause.

I highly encourage you to check out the details and come to the event.

NeXTEVNT Fundraiser for the Cartoon Art Museum
Monday, June 8th, 4:00 PM – 9:00 PM

Wednesday: LIVE near WWDC 2015 (aka The Big Show!)

Logo for James Dempsey and the Breakpoints, LIVE near WWDC 2015
Our LIVE near WWDC show is the biggest James Dempsey and the Breakpoints performance of the year — and this year’s show is our biggest ever.  Thanks to our fabulous sponsors, we’re at a bigger venue and the drinks are on us!

The event is free, but registration is required.  We are handling admission the way AltConf does.  Registration does not guarantee admission.  For general admission registrations, we will fill the venue on a first come, first admitted basis.

You can read all of the details and register for the event here.

James Dempsey and the Breakpoints, LIVE near WWDC presented by Capital One
Wednesday, June 10th, Doors open at 7:30 PM, show starts at 8:00 PM. Event goes until 10:30 PM

Friday: Closing session at AltConf 2015

AltConf Logo
I’ll be closing out the week at AltConf 2015 again this year with an easy-going look back at the announcements of WWDC 2015 and their possible implications in a session entitled So, That Just Happened.

This session is a talk about the week in review and not a set of James Dempsey and the Breakpoints songs.

However, there may also be a bit involving a ukulele.

AltConf 2015, June 8 – June 12, 2015
Closing Session, Friday, June 12th, 3:15 PM, Theater 15

A Busy WWDC 2015 Week

It will be a busy WWDC week as we walk around with our heads swimming trying to soak in all of the new announcements.

I hope you can make it out to one or more of these events!  And if you do, please say hello! •


NSConference 7: A Look Back

Last fall, I received an email that read, “I would like to invite you to be a speaker at NSConference 7”.

In the invitation email, conference organizer Steve ‘Scotty’ Scott (@macdevnet) described his intent for the conference:

“At NSConference I want the speakers to be with the attendees all the time. I want you to be at the sessions, I want you to be at the meals, I want you to be at the events. I want you to mix, eat, drink and chat with as many attendees as possible.”

“What I require most in an NSConference speaker is enthusiasm and a love of being with the OS X and iOS developer community. Right now I am not looking to pick talk topics, as it’s all about people first.”

I accepted the invitation immediately.

All About People First

In his opening remarks, Scotty expressed the same intent in a different fashion. He said that the speakers and topics were, of course, important, but the real heart of NSConf was creating an environment where members of the developer community could interact.

Leicester Athena

Leicester Athena
Photo by NotFromUtrecht via Wikimedia Commons

The format at NSConf was unlike other conferences I have attended. Each segment began with a 30-minute talk followed by two 10 or 15-minute blitz-talks, followed by a 30-minute break. This approach packed three topics plus plenty of time to talk with fellow attendees into a 90-minute block.

The venue was the Leicester Athena, a gorgeous 1930s art deco theater re-styled to host events. The seating was at round tables, giving folks a chance to talk with one another. There was a massive stage with great lighting and sound (and yes, a full bar on stage too). It is truly a beautiful venue, well-suited to Scotty’s goals for the event.

The days were filled with speakers giving talks, conversations with attendees and lots of coffee and tea. In the evenings, good food and more conversation. The first night was the banquet, each table set with a candelabra, with wine and a meal served at your table. The second night was the party, with a buffet meal and mingling.

It was after folks had a chance to be fed at the party that we launched into our Breakpoint Jam.

Breakpoint Jam: NSConf Edition

The idea behind a Breakpoint Jam is that the band is made up of whoever happens to be in town for a conference. Folks practice up some James Dempsey and the Breakpoints songs on their own before arriving, we do a quick rehearsal the day of the show, and then we perform.

I find the most stress-inducing shows are when all the musicians are new to the Breakpoint Jam — this was one of those performances.

It takes a leap of faith to get on a plane in San Francisco and fly over 5,000 miles to England, knowing you will be performing for a theater full of people with musicians you have never performed with, rehearsed with, or in some cases even met before.

Kevin Cupp on guitar, James Dempsey on vocals, Jonathan Fox on drums and S ‘Scotty’ Scott on bass at the Breakpoint Jam during NSConference 7

Kevin Cupp, James Dempsey, Jonathan Fox and Steve ‘Scotty’ Scott kick off the NSConf 7 Breakpoint Jam
Photo by Cathy Shive

That leap of faith was rewarded by musicians that pulled it all together amazingly well in the rehearsal time allotted.

Guitarist and iOS developer Kevin Cupp (@kevincupp) did perhaps the best walk-on guitar part in Breakpoint Jam history, having learned every nuance from the rehearsal tracks I had sent.

Longtime NeXT and Apple indie developer John Fox (@djembe) added a full drum kit to a Breakpoint Jam for the first time, skillfully playing the varying musical styles from the driving beat of Goto Fail to the Hawaiian breeze-inspired Liki Song.

Rounding out the core trio of Conditional Breakpoints for the evening was NSConf’s own Scotty on bass. (It is no coincidence that Scotty was positioned closest to the on-stage bar.)

For The Liki Song, backup singers arrived in the form of Laura Savino (@savinola) and Ruotger Deecke (@roddi) making their Breakpoint Jam debut, and Uli Kusterer (@uliwitness) whose bass voice is perfect for the ‘object alloc’ chant beneath the choruses.

And, on the ever-important slide-advance keyboard, the incomparable Daniel Steinberg (@dimsumthinking).

Kevin Cupp playing guitar, James Dempsey singing and playing ukulele, Jonathan Fox playing drums, Laura Savino, Ruotger Deecke and Uli Kusterer singing, Steve ‘Scotty’ Scott playing bass.

Left to Right: Kevin Cupp, James Dempsey, Jonathan Fox, Laura Savino, Ruotger Deecke, Uli Kusterer, Steve ‘Scotty’ Scott.
Image by Marius Ciocanel

It was tremendous fun to play on that big stage, in that beautiful theater, complete with lighting effects (and a fog machine, I think). The show was only possible because of all of those who joined in the jam—a big thank you to them for lending their talents to the show. And of course, a giant thank you to everyone the audience, it was a privilege to play for you all.

The Future: A Look Back

Scotty had stated that this year’s NSConference would be the last. When I looked at the schedule, I saw that Scotty had chosen my session The Future: A Look Back to be the last talk of the last day of the last NSConf.

The talk took a look back to the Apple/NeXT merger and the history of some of the technologies that we use today. After the talk, some old-timers told me that they enjoyed the walk down memory lane, while some more recent arrivals to iOS and OS X development commented they appreciated hearing some backstory on the technologies they are using today.

James Dempsey Presenting ‘The Future: A Look Back’ at NSConf 7

The Future: A Look Back at NSConf 7
Photo by Raphael Sebbe

Scotty had also announced that, although this was the final NSConf, he hoped to do another event in the future that took the best of NSConf, but proceeded in a different way — different enough that calling it ‘NSConf’ would be misnomer.

With that in mind, I closed my talk as follows:

“As we wind down to the last session of the last NSConf, I’d remind you that in this developer world of ours, nothing is ever truly gone. Specific implementations come and go, particular instances are created and released, but the underlying themes stick around. That’s true whether we are talking about technologies, or the community of people that use them to create magnificent things.”

Almost Like Being There

Being at NSConf was a fantastic experience — I learned a lot and had the chance to meet and get to know people I would likely not have met otherwise.

I’m very grateful to Scotty for inviting me and to the entire conference team for doing a fantastic job and for treating the attendees and speakers very well. NSConf had an easy-going feel, but everything hit its mark. It takes a great team to make it look that easy.

The next best thing to being there would be watching the amazing talks. And as of last week they are available to everyone on the NSConf 7 channel on Vimeo. I encourage you to check out all the talks, including my talk The Future: A Look Back, which I’ve included below. •

NSConference 7 was held March 16-18, 2015 in Leicester, UK.

Lyrical November

The response to Backtrace has been fantastic, and I wanted to thank everyone who has shown their support by purchasing the album and helping to spread the word. You made Backtrace the #1 comedy album on iTunes in the US, UK, and Canada.  You also made it debut at #5 on the Billboard Comedy Album Chart. I cannot thank you all enough!

Since releasing Backtrace last month, I’ve gotten numerous requests for the lyrics to the songs.

For the rest of November, I’ll post lyrics to a song a day (or thereabouts) and we’ll make our way through the album. I’ll be tweeting when each song page goes live as well as some of my favorite lyrics. You can follow me at @jamesdempsey .

Each song page contains its liner notes—lyrics, song notes, and full credits for the very talented people who brought these songs to life. Below are links to the liner notes for each song – each link will go live as Lyrical November progresses.

And of course, If you haven’t checked out Backtrace on iTunes, I invite you to give it a listen.

Modelin’ Man
Almost Dropped My iPhone
Model View Controller
Gonna Needa Pasteboard
The Accessibility Song
The Liki Song (Minawana Meika La’a Likiko)
The Designated Initializer (Got the Better of Me)
The Fetch Spec Song
Goto Fail
Hold Me, Use Me, Release Me
Endian Reservations
I Love View
Anti-Patterns
Model View Controller (Legacy Mix)
Relationships
The Liki Song (Greybeard Mix)

Album Art for James Dempsey and the Breakpoints Album 'Backtrace'

Introducing Backtrace

Album Art for James Dempsey and the Breakpoints Album 'Backtrace'

We are beyond thrilled to announce the release of Backtrace,
the debut album from James Dempsey and the Breakpoints.

It feels great for this to be finally out in the world.

We hope you love every track.

And if you do, please don’t keep it to yourself.

We hope you spread the word.

(tweet, facebook, review and blog like the wind!)

Now available for download worldwide via iTunes

Download on iTunes

Breakpoints in Vegas — Album Preview Jam

Last Friday night, just a stone’s throw away from where Frank Sinatra and The Rat Pack performed their legendary shows, James Dempsey and the Breakpoints made their Las Vegas debut. The jam featured songs from the upcoming album Backtrace.

Album Art for James Dempsey and the Breakpoints Album 'Backtrace'Taking the stage for the first time as Conditional Breakpoints were Jean MacDonald (@macgenie) founder at App Camp for Girls, on guitar for Goto Fail; and Matt Smollinger (@mattsmollinger) of Skaffl on backing vocals for The Liki Song.  Josh Smith (@kognate) of AllTrails made a switch from blues xylophone last month to guitar.  Adding to the excitement, Jonathan Penn (@jonathanpenn), recent hire at everyone’s favorite fruit factory, flew in just in time to don his trademark sunglasses, tune up and jam. Finally, Daniel Steinberg (@dimsumthinking) of Dim Sum Thinking delivered his excellent keynote before jumping in on slide-advance keyboard.


Coming this fall

This fall will see the first album release of James Dempsey and the Breakpoints and Breakpoint Jams from coast to coast. Sign up for updates to keep up with the fun!

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An Eclectic Breakpoint Jam in Columbus

The 2014 Fall Tour kicked off at CocoaConf Columbus with the most eclectic collection of instruments ever assembled for a Breakpoint Jam.

It was a night for newcomers to the Breakpoint Jam.

Every breakpoint in the house was conditional except for veteran Breakpoint Daniel Steinberg (@dimsumthinking) of Dim Sum Thinking. Daniel, fresh from the latest revision of his new book, A Swift Kickstart, delivered a fantastic keynote before working his slide-advance magic.

Eric Knapp (@ejknapp) of Madison College introduced the crowd to the Chapman Stick playing a solo song before giving familiar James Dempsey and the Breakpoints songs a new twist.

A jar of Breakpoint Jam

Have you tried the Breakpoint Jam?

CocoaConf mainstay Will LaFrance (@wjlafrance) made his debut as a Conditional Breakpoint on classical guitar.

Reprising his initial performance in Washington DC last March, Mark Dalrymple (@borkware) of Big Nerd Ranch showcased his talents on trombone on Modelin’ Man and vocals on The Liki Song.

Josh Smith (@kognate), co-author of the recently-released Build iOS Games with SpriteKit, arrived at the conference in the midst of transporting a xylophone across state lines, giving Josh a chance to join in the jam as well.

Thanks to everyone in Columbus, we had a great time and hope you did as well!

The Fall Tour continues in at CocoaConf Las Vegas in September, where James Dempsey and the Breakpoints will make their Vegas debut! •

Don’t miss any of the fun, sign up to get email updates!

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Breakpoints Recap WWDC 2014

There was no WWDC ticket for me this year, but it was still a very enjoyable and busy week for James Dempsey and the Breakpoints. Here are some of the highlights from last week in San Francisco.

(Interested in the soon-to-be-released James Dempsey and the Breakpoints album?
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NeXTEVNT Cartoon Art Museum Fundraiser

In its third year, this fundraiser celebrates the heritage and history of NeXT, featuring black hardware as well as OPENSTEP and NeXTSTEP running in virtual machines. Even more fascinating is meeting up with folks who lived and breathed this platform from its early days—building apps with the frameworks that would evolve into Cocoa and Cocoa Touch.

As part of the evening’s entertainment, we played a short set of songs in support of the Cartoon Art Museum. If you are a fan of any sort of comics, cartoons, animations and the like, check it out next time you are in San Francisco. If you couldn’t attend the event during WWDC, you can still donate or join as a member.

 

LIVE near WWDC 2014

We had a great time on Wednesday night at 50 Mason Social House. The house was packed as Breakpoints from six different cities in five different time zones across two continents took to the stage to perform a show chock-full of Cocoa-inspired songs.

The evening served up an acoustic guitar sampler with a flight of Breakpoint guitarists—Nathan Eror (@neror) of Martian Craft, Jonathan Penn (@jonathanpenn) of Cocoa Manifest, and Ben Scheirman (@subdigital) of NSScreencast.

The show marked the debut of The Breakpoint Horns with Sam Davies (@iwantmyrealname) of Shinobi Controls on trombone and Daniel Pasco (@dlpasco) of Black Pixel on trumpet playing on Modelin’ Man.

(Any tenor sax players out there for next year? Please let me know.)

The talented Mr. Pasco also played electric guitar on that modern tale of momentary loss and redemption, Almost Dropped My iPhone. Conditional Breakpoint Uli ‘Object Alloc’ Kusterer (@uliwitness) of Elgato joined in with The Liki Song chorus. And of course, slide-advance keyboard legend Victor Alexander (@victoralexander) was on hand to keep that space bar hoppin’.

Thank you to all of the Breakpoints and also a big thanks to: Luke Scholefield (@lukescholefield), Adam Tow (@atow) and Rae and for taking photos and video; Daniel Steinberg () for recording sound off the board; and James White (@thecolourfool) for running the merch table.

(For more fantastic photos of the show—check out Adam Tow’s photo journal.)

Finally, an enormous thanks to everyone who came out to the show — your support is what keeps this going.  We had a great time this year and hope you all did too!

 

A Look Back at Alt Conf

On Friday, I presented A Look Back—the closing session for Alt Conf 2014.  With the surprise announcement of Swift earlier in the week, the talk took a look back to the beginning of the Objective-C era at Apple, tracing how technologies of that time have evolved into the environment we use today.  To accompany this look back, the talk also featured the first public preview of tracks from the soon-to-be-released James Dempsey and the Breakpoints album.

James Dempsey at podium with blurred hands applauding

James wraps up AltConf 2014 with ‘A Look Back’
Photo by Daniel Doubrovkine (@dblockdotorg)

Thank You

The technology announcements of WWDC 2014 will have repercussions for us as iOS and Mac developers for many years to come.

Beyond learning about new technologies, the week gives us a chance to gather together and talk, to share ideas, some laughs and perhaps one too many drinks.

Thank you so very much to everyone who came out to see the talk and performances. Your support and feedback is greatly appreciated and means a lot to me—it was fantastic to meet so many folks this year.

With WWDC 2014 now in the past, it is time to turn my attention to finishing up the album and getting it out into the world.  Someone we are all familiar with said “Real artists ship” and that is my next order of business. •

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Close Enough To Taste It

This week I reached a milestone that means a great deal to me.

On Tuesday, I finished recording the final lead vocal for the long-awaited James Dempsey and the Breakpoints album.

There is still work to be done—some backing tracks to record, final mixing and mastering of each song—but all the lead vocal and core instrumental recording is now complete.

This album is the realization of a dream fourteen years in the making.

As you might imagine, all of this has me on a sort of euphoric emotional tilt, bouncing from joy to gratitude to relief to excitement and even fear.

Joy

There’s a real sense of joy towards the end of a long journey when the destination is finally in sight. An exuberant psychic “Land Ho!” rings out through your entire being.

This journey began with writing that very first song fourteen years ago.  I had always hoped to get the chance to record my material and record it well. It’s been amazing to have the opportunity to take the time to produce a fully realized version of each song.

Listening to the rough mixes, I am incredibly happy with the results!  I usually reserve my exclamation points for tweets and exhortations, but wow!  I am absolutely beaming! I can’t wait to get these tracks out into the world!

Gratitude

I am very grateful to everyone who lent their time and talents to the album. Having the privilege of working with some wildly talented musicians on this effort has been humbling—as has been witnessing them add their own magic to the songs I’ve written.

A dozen or so musicians have contributed to the album. Among them are three who perform on the lion’s share of the tracks: Gordie Freedman (@modenaboy) on guitar, Darren Minifie (@minofifa) on bass and our producer Russell Bond (@russell_bond) doing all sorts of percussion and drums.

Hearing the tracks, it’s often the little things that make me smile the most—a guitar riff from Gordie, a subtle bit of bass from Darren, a drum fill laid in by Russell.  For a sampling, you can check out their handiwork on our single, Almost Dropped My iPhone, but just wait until you hear what they’ve done on the rest of the album!

Relief

This milestone also brings with it a sigh of relief—there were a few times when it felt like this project might stop dead in its tracks.

When we first went into the studio back in early 2012, I was very excited to have found a great studio and a great recording engineer and producer: The Annex Studios and Russell Bond. Both already had a long and storied past with Apple and the Mac. (Read more about them here)

Big honkin’ console in Studio A at The Annex Studio

Big honkin’ console in Studio A at The Annex Studios
Photo by Adam Tow

Three months into recording, the studio building’s owner dealt a harsh blow.  The building was sold and The Annex Studios had thirty days to vacate the premises.  After a nearly 40-year history, the beautiful space where we were working on the album was suddenly no more.

Our first single, The Liki Song, was the last thing recorded at The Annex Studios before it was dismantled.

This derailed progress on the album, but much more disheartening was watching our friend Russell go through this major upheaval in business and life. And now, a big part of the relief I feel is knowing that he emerged from that tumultuous time with his well-being intact.

As for the album, after a hiatus, we resumed recording at HowlingPoint Studios, high up in the Santa Cruz mountains.  This is Russell’s in-home studio, a much more intimate space. Gone is the giant mixing console, but now Julius the studio cat keeps us company while we make our music.

I know that I won’t breath that last sigh of relief until the album is up on iTunes, but this week I’m feeling great.

Julius the Studio Cat, an orange tabby

Julius the studio cat, listening to the meow mix.

Excitement and Fear

It’s an understatement to say that this week I’ve been experiencing a lot of excitement and a healthy dose of fear.

This time of year always gets my adrenaline pumping—anticipating the barrage of WWDC announcements, prepping for the big show on Wednesday night (details here), looking forward to seeing old friends and making new ones.

And now, knowing how close we are getting to release throws all of that into overdrive.  I’m so excited by how it is progressing, it’s hard to contain myself!

But there’s also that fear.  Over the years I’ve written a bunch of code and now I’ve written and recorded a bunch of songs.  What I’ve never done before is promote an album.

My fear is that I will not succeed in getting the word out to the wide world of iOS and Mac developers who might enjoy the fun of this album.  I am very open to thoughts, suggestions or any opportunities to spread the message.  Feel free to tweet them at me or, better yet, email me at info@jamesdempsey.net.

And, of course, when the album is released, if you enjoy it, please don’t keep it to yourself. Let other developers in on the fun.

Almost a Wrap

If you’ve enjoyed these songs in the past, I ask that you please join our mailing list so we can let you know when we cross that finish line and the album is released. I’m really looking forward to getting these songs out into the world, and I think you’re going to enjoy how this all turns out. •

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James Dempsey and the Breakpoints, LIVE near WWDC 2014, Wed 6/4!

James Dempsey and the Breakpoints will be performing Live Near WWDC 2014 on Wednesday, June 4th at 7:00 PM.

The show is just a few blocks from Moscone West at 50 Mason Social House. Admission is free—no cover charge and no ticket required. We provide the music, you buy the drinks.

Join fellow iOS and Mac developers for an evening of humorous and informative songs including favorites such as Hold Me, Use Me, Release MeI Love View and Model View Controller.  And don’t miss the live performance of our latest song, ripped from the headlines, Goto Fail.
(View Full Show Details and Map Here)

Night Of A Thousand Breakpoints
(Well… at least four or five)

This year, the show features a lineup of Mac and iOS indie developer luminaries and maybe even a special guest or two. The Breakpoints include:

They will be joined by the incomparable Victor Alexander (@victoralexander) on slide-advance keyboard.

Stage and lounge at 50 Mason

The joint will be jumpin’ at 50 Mason

No WWDC Ticket Required

The show is open to all—no WWDC ticket required—making it a great event for all developers in town for the week.  There’s not even an NDA, so tell your friends and come on out to James Dempsey and the Breakpoints, Live Near WWDC 2014. •

View Full Show Details and Map Here

ics file Download event to your calendar.

 
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50 Mason Social House
50 Mason Street
San Francisco, CA 94102
(415) 433-5050